I’m passionate about creating pieces that blur the line between function and art, where utility and aesthetic merge, inviting a reimagining of what functional forms can be.  My work reflects the Pilbara as an ancient and enduring landscape, acknowledging Indigenous histories, migration, and personal connection. Iron-rich tones express environmental severity counterbalanced by the warmth of a sunrise. Layered greens and blues indicate hidden water systems, while linear forms reference dry waterways, linking surface, story, and continuity.